Juano Frías — Bio (engraved plate)
Juano Frías in his studio, standing beside two of his oil paintings
Florence, Italy — 17+ years

A painter and tattoo artist, formed in the study of the body.

Classical training, two disciplines, one continuous practice — from oil on linen to ink on skin.

Juano Frías in the studio — replace with real photo
Background

I'm Juano Frías, an Argentine painter and tattoo artist with over 17 years of experience across both disciplines.

My training is rooted in classical drawing and anatomy — the same discipline of observation that has shaped figurative painting for centuries, applied here to both portraiture and tattoo work. Long before either practice became a career, it was hours spent copying anatomy plates and old master drawings, learning to see structure before I ever learned to render likeness.

That foundation is what eventually pulled me toward tattooing — a chance to apply the same drawing discipline to a surface that moves, ages and belongs to someone else's body. It changes the stakes of every line, and it's shaped how I approach painting ever since.

I'm currently spending my final year in Florence, Italy, before relocating to Galicia, Spain — closing one chapter of study and opening the next. Florence in particular has been formative: painting daily in a city built by the same masters I studied from books, walking past the work that originally set the standard for everything I'm still trying to learn.

Alongside the studio work, I've been documenting the process on YouTube — plein air sessions in the streets of Florence, tattoo timelapses, still life studies, the occasional trip abroad with a sketchbook. It's become as much a part of the practice as the painting itself.

Whether the surface is canvas or skin, the process stays the same: careful drawing, an honest read of light, and a commitment to realism over shortcuts.

Two disciplines, one study

Painting and tattoo, worked the same way.

Painting

Oil portraiture

Realist portraits built the traditional way — drawing, color blocking and layered resolution, worked in oil on linen.

Tattoo

Realism on skin

The same study of light and anatomy, adapted to the body as a living, moving canvas.

Drawing is the discipline. Painting and tattooing are just two different surfaces to apply it to.

© 2026 Juano Frías Redesign proposal — not the live site